These ancient temples of Maluti in Jharkhand are a marvelous piece of architecture. The small town of Maluti near Shikaripara in the wilderness of Jharkhand has about 72 old terracotta temples and is considered to be one of the top ten ruins in the world. Just imagine how old and how symbolic the place must be. The walls of the temple in details narrate the story of Ramayana and Mahabharata. These temples were also featured in the Jharkhand Tableau at the 2015 Republic Day Parade.(Source)
Maluti temples are a group of 72 extant terracotta temples (out of the original number of 108), located in the Maluti village near Shikaripara in Dumka district on the eastern part of the Chota Nagpur Plateau, Indian state of Jharkhand. These temples, according to the Indian Trust for Rural Heritage and Development (ITRHD), were built between the 17th and 19th centuries. The kings of Baj Basanta dynasty built these temples in Maluti, their capital, inspired by goddess Mowlakshi, their family deity. Many of the temples are deified with different denominations of gods and goddesses, apart from the tutelary deity Mowlakshi, and others such as Shiva, Durga, Kali and Vishnu. The Global Heritage Fund (GHF) has proposed a conservation effort, which would increase tourism to the Maluti village. GHF has declared this site as one of the world's 12 most endangered cultural heritage sites.
Initially there were 108 temples built in the village, within a radius of 350 metres (1,150 ft), all dedicated to Lord Shiva. Of the 108 temples, only 72 still stand, but in a semi-dilapidated condition; the other 36 temples have been lost.Many of the temples are deified with different denominations of gods and goddesses, apart from the tutelary deity Mauliksha, and others such as Shiva, Durga, Kali and Vishnu.
Apart from the Shiva temples, there are also eight temples dedicated to Goddess Kali. There is a temple dedicated to a saint known as Bamakhyapa where his trident has been deified. Another important temple is that of Manasa Devi.The family deity of the Baj Basanta dynasty is goddess Mauliskha which is widely worshiped and devotees visit the Mauliskha temple all through the year; the goddess is deified facing west and is said to be the elder sister of goddess Tara.
The temples, designed in different styles, which were then popular throughout Bengal, by the artisans from Bengal, are grouped under five categories and none of them are in the architectural styles of the Nagara, Vesara or Dravida.According to Mc Cutchion, these temples were built to the Cara-cala design which consists of a square chamber "surmounted internally by a dome built over pendentives" with corbelled cornices which give the appearance of a hut-shaped roof.
The temples have been decorated with sculptures of episodes from the epic Mahabharata and Ramayana, and the fight between Durga and Mahishasura. Scenes of village life are also carved at some locations of the temples. There are a few inscriptions also on the temples which give details of building of the temples and also on the socio-political history of that period. These are inscribed and dated as "shaka era" (Indian national calendar), in early Bengali script which is a combination of Sanskrit, Prakrit and Bengali.
The first steps taken to conserve the Maluti temples were taken by an NGO called "Save Heritage and Environment (SHE)". They approached the Global Heritage Fund (GHF) to provide support.
The Global Heritage Fund (GHF) and the Indian Trust for Rural and Heritage Development instituted a study to prepare plans for the conservation of the Maluti temples. The study identified each temple's conservation details and the threats to the temple structures. The report also indicated the names of international organizations which could provide funds and expertise for such restoration whilst retaining the traditional characteristics of the terracotta tiled sloping roofs of the temples. It recommended that this activity should be carried out by "strengthening the local community through education, awareness and a greater stake in the conservation process".
The GHF has now included the temples and the village among "the world’s twelve vanishing cultural heritage sites". Maluti is the lone representative from India on GHF's list of "the world’s twelve vanishing cultural heritage sites". (Source)
Deep in Jharkhand’s hinterland lies the village of Maluti. Flanked by mud houses and a handful of concrete buildings, narrow lanes lead to several open spaces right in the middle of the village — spaces that bear testimony to more than 300 years of rich temple architecture.
Once home to 108 temples, the village is now but a poor shadow of its past, with only 72 shrines remaining — but the sheer number puts Maluti on the heritage map of India. With intricate terracotta carvings of mythical scenes on their façades and walls, which have survived harsh weather and the ravages of time since the early 17th century, Maluti’s terracotta temples are now being restored.
The temples, mostly of Shiva, are dotted in five different clusters — Sikir Taraf, Rajar Bari, Madhya Bari, Chhoi Taraf and the Mauliksha temple complex.
Situated in Dumka district, the village is close to the border with West Bengal, and Chala architecture, inspired by traditional Bengali huts with their sloping roofs with curved edges, is a distinct feature of Maluti’s temples. Also, the influence of the exquisite Keshta Raya terracotta temple at Bishnupur in Bengal’s Bankura district can be seen clearly in every temple. The 17th century masonry technique using moulded bricks has been applied extensively.(Source)
